In a remote village in the Talysh mountains between Iran and Azerbaijan, Samid earns his living by fixing radios and TVs. Back in the Soviet Union – where cinema was the main propaganda tool and the centre of community – he was the village projectionist. Last year his son died in a tragic accident. After months of grief and loneliness, Samid takes the decision to reactivate the old projector and assemble his Azeri village in front of the screen again. But he faces one obstacle after another, until he finds an unexpected ally – a young film fan. Soon they need to deal with growing tensions within the village. And what are they to do about the missing ending of the only remaining film copy?
France, Germany 2024, '88
DIRECTOR: Orkhan Aghazadeh
CAMERA: Daniel Guliyev
MONTAGE: Nicole Schmeier
PRODUCTION: Kidam, Lichtblick Film
FESTIVALS & AWARDS:
Torino FF: Best Documentary (2024)
Visions du Réel (2024)
Chicago IFF(2024)
Jerusalem FF (2024)
Hamburg FF (2024)
Porto/Post/Doc (2024)
Orkhan Aghazadeh
Orkhan was born in 1988 in Azerbaijan. His first short documentary A Letter to Lenin premiered at Leipzig International film festival in 2009. His graduation short film from London film school, The Chairs was screened by many festivals like Palm Springs Short FF, Angers Premiers Plans FF, Tampere FF, Brussels FF, Poitiers FF and won several awards in 2028. His feature project The Prisoner was the first project from Azerbaijan to be selected by the Cinefondation Residency of Cannes Film Festival in 2021 and took part in Cinemart of Rotterdam Film Festival.