We follow preparations, journey and the arrival of the two busses to the final destination. The first bus (from Rijeka to Kumrovec) whose ‘victorious’ passengers are to commemorate and celebrate Tito’s birthday by visiting Tito’s birth house; and the second bus (from Zadar to Bleiburg) which ‘ships’ elderly and ‘defeated’ ones as well as the youngsters of the ideology to the place of defeat. Though, what was going on there, in the two busses, has been an expression of the opposite ideo-logical positioning, for author it was something more. Being an outsider and observer, he was caught by the ways these events manifested themselves in dramatic and emotional ‘sameness’. What appeared to be the most important thing was that the passengers in both busses lived in the past. This living in the past could have been perceived as ‘normal’ and reasonable if the passengers in the busses were the eyewitnesses and participators of the Second World War. The point was that there was a gap of a few generations between the Great War generation and the majority of passengers in both busses. Still, the past has bridged the gap and the memory of it became trans-generational heritage.
Goran Dević was born 1971 in Sisak. He holds a degree in Film and TV Directing from the Academy of Dramatic Art in Zagreb, where he today works as a teaching assistant on the graduate course of documentary directing. He has directed award-winning documentaries mostly screened in the various programs at ZagrebDox: Imported Crows (2004), I Have Nothing Nice to Say to You (2005), Three (2008), Happy Land (2009), Don Juan: Excuse Me Miss (2010), Flood (2010), Two Furnaces for Udarnik Josip Trojko (2012) and many others. The Blacks (2009), co-directed by Zvonimir Jurić, was his first feature narrative. Late in 2007, he founded the production company Petnaesta umjetnost.
2008, 50', color, video
Almir Fakić, Jure Černec, Mario Oljača, Tamara Cesarec
Petnaesta umjetnost, WHW